Our building is currently closed for Phase 1 building works. You can find out more about what’s going on over the summer here 

  • The Box Office phoneline is open on Tuesdays and Wednesdays, 1.30pm – 4.30pm, from Tuesday 30 June – Wednesday 9 September.
  • You can still email them at info@turnersims.co.uk or leave them a message on 023 8059 5151 and they will respond as soon as possible during their opening hours.
  • Tickets, memberships and gift vouchers are available for purchase online throughout this period.
  • The Box Office (and the building!) will reopen on Monday 14 September at 1.30pm, and will then revert to normal hours: 1.30pm – 4.30pm, Monday to Friday. For events and at weekends, the Box Office opens 2 hours before event start time until 15 minutes after event start time.
two performers being watched by a group of children. Both performers are wearing bright colourful costumes with their arms outstretched.

Unlimited Partner Awards

Turner Sims has been announced as one of 11 organisations partnering with Unlimited to create Partner Awards for disabled artists. In this blog, Jessica Santer, Head of Programming (Engagement and Participation) explains all.

September 1, 2026

White background graphic with black text that reads: Partner Award. Disabled artists. New Work. Lasting Change.

 

Unlimited Partner Awards are an opportunity for arts organisations across England, Scotland and Wales to work with Unlimited to match fund a new commission for disabled artists. Each award has its own criteria and funding amount from £15,000 – £40,000. Disabled artists, or disabled led companies, across any art form can apply (with the exception of film, fashion and architecture). This year there are 11 Partner Awards, including one with Turner Sims!

Let’s hear from Jessica Santer, Turner Sims’ Head of Programming (Engagement and Participation), who is personally really excited about this opportunity for our organisation.

W

Why has Turner Sims chosen to work with Unlimited?

Unlimited is an organisation I have admired for a long time – for the work they do to change the landscape of the art that we get to see and experience in the UK, through commissioning, supporting and platforming disabled artists and advocating for sector change. When the opportunity came up to partner with Unlimited and be part of this change, I jumped at it!

It’s an incredible opportunity for Turner Sims to be part of the commissioning process alongside Unlimited, and work with a disabled artist, or disabled led-company, to create new work for audiences. It’s a chance to build relationships with new artists, and challenge ourselves to think deeply about access and inclusion in our programme. I am also looking forward to be part of a national network of arts organisations so that we can support and learn from each other.

Why now?

It’s an exciting time for Turner Sims, we are undergoing significant building works in our venue to improve disabled access, across front of house and backstage, to benefit our artists, audiences and staff. This partnership with Unlimited is part of our long-term commitment to improve access across all areas of our work – including the artists we support and present on our stage.

What kind of artist or company are you looking to work with on this commission? 

Our Partner Award is for £15,000 to develop a research and development piece for young audiences. We are looking for a disabled artist, or disabled-led company, who wants to develop a new creative piece with music at its core, but may also want to include other art forms like theatre, dance, spoken word or visual design.

We would like the piece to have the potential to be performed at Turner Sims however we are open to artists being creative about how they use the space. Our auditorium has a capacity of around 350 and a large flat stage without any wings. The artists might want to perform on stage with the audience sat in the auditorium seats, or they might want to create something small and intimate where the audience sit on stage, or take a much more site-specific approach using different spaces in the building.

We are looking for artists who want to make work for children and young people aged between 7 and 16 years old, although the piece might not cover that whole age range. The artists might choose 7-11 years or 11-16 years, for example. We want the artists to be working directly with children and young people in Southampton and/or Hampshire to be part of the creative process for this commission. Previous experience of working with children and young people is preferred, but not essential.

And ultimately, Turner Sims and Unlimited are looking for disabled artists who are ambitious, innovative and have a really strong idea!

If you are interested in applying, there is a lot of helpful information on the Unlimited website and there are some information sessions in August and September that you can sign up for.

How will Turner Sims support the artist or company that are commissioned?

As well as providing funding for the commission, Turner Sims will work closely with the artist to support them. We will have regular meetings to check in and see how things are going, we will give access to our sound technician and lighting technician to allow you to explore ideas, we will provide a workshop with our Head of Marketing and Sales to plan promotion and we will support you in making plans for workshops and engagement with children and young people in Southampton and/or Hampshire as part of a co-creation process. We know if can be really important for artists to document their process, so we will provide a professional photographer for half a day. At the end of the project, we will host an informal sharing of the research and development project at Turner Sims.

What impact do you hope the Partner Award will have?

I hope that this commission will enable a disabled artist, or disabled led company, to start developing some really remarkable work for children and young people, and that we can use our time, resources and expertise at Turner Sims to support them to do that. This commission, along with the physical changes we are making to our building through our Estates project, mark a big step change in how we support and present disabled artists at Turner Sims, I hope the partnership with Unlimited will help us to embed this into the culture of our organisation and raise our ambition for what we can achieve in the future.

If you are an artist interested in applying for any of the awards there is lots of information, including a list of FAQs, on the Unlimited website 

Find out more

Listen to Jessica Santer talk through the her answers to our questions and learn more about the awards.
t

Our building is currently closed for Phase 1 building works. You can find out more about what’s going on over the summer here 

  • The Box Office phoneline is open on Tuesdays and Wednesdays, 1.30pm – 4.30pm, from Tuesday 30 June – Wednesday 9 September.
  • You can still email them at info@turnersims.co.uk or leave them a message on 023 8059 5151 and they will respond as soon as possible during their opening hours.
  • Tickets, memberships and gift vouchers are available for purchase online throughout this period.
  • The Box Office (and the building!) will reopen on Monday 14 September at 1.30pm, and will then revert to normal hours: 1.30pm – 4.30pm, Monday to Friday. For events and at weekends, the Box Office opens 2 hours before event start time until 15 minutes after event start time.
A Black man in a dark blue shirt holding a trumpet

Marking 21 years since Hurricane Katrina

Ahead of Byron Wallen’s ‘Hurricane Bells’ & ‘When the Levees Broke’, discover more about the artists, the music, and how their responses to the environmental disaster were created.

August 21, 2026

21 August 2026 marks 21 years since Hurricane Katrina hit south-eastern United States, with catastrophic consequences that carried major social and political impacts.

On Saturday 17 October, we commemorate this event and its aftermath through film, discussion and music. 20 years since Spike Lee released his moving four-part documentary ‘When the Levees Broke’, the evening begins with a screening of Act 1, followed by a discussion with Dr Eleonora Sammartino from the University of Southampton’s Film Studies Department. To finish, one of the UK’s most creative trumpeters and composers, Byron Wallen, brings us ‘Hurricane Bells’.

Ahead of this very special evening, we take a deep-dive into these elements and find out more about how they were created.

About Spike Lee’s ‘When the Levees Broke’ 

An incredibly powerful tropical cyclone, Katrina was one of the deadliest and costliest hurricanes in US history, killing over 1,400 people and causing $125 billion in damages. The storm caused devastating flooding in New Orleans due to levee failures, submerging approximately 80% of the city. Thousands of residents were displaced, losing their homes and all their possessions in a matter of moments.

‘When the Levees Broke: A Requiem in Four Acts’ premiered on 16 August 16, 2006. Director Spike Lee conducted nearly 100 interviews with politicians, journalists, engineers, historians, and residents to capture diverse perspectives on the disaster and its aftermath. Interspersed with news footage and stills of the hurricane and the utter carnage it left in its deadly wake, the film won numerous awards – including three Emmys – and remains one of the director’s most powerful and significant works.

For this evening’s event, we screen Act 1, followed by discussion with Dr Eleanora Sammartino from the University’s Film Studies Department.

 

Hero image: Byron Wallen © Urszula Tarasiewicz

A

About Dr Eleonora Sammartino 

Dr Eleonora Sammartino writes:

“The history of New Orleans has been inextricably tied to music since before the emergence of jazz and blues in the metropolis. This is a central relationship also in ‘When the Levees Broke’, in which the score composed by Lee’s long-standing collaborator, jazz musician Terence Blanchard, and the melodies rising from the city animate the images and speak of the residents’ resilience in the face of the disaster. The talk will explore this connection in Lee’s documentary and in the films and TV made in the wake of Katrina. As the city was dealing with the aftermath of the hurricane, music in these media tried to make sense of the devastation, negotiating grief and hope at once.”

Dr Eleonora Sammartino is a Teaching Fellow in the Film Studies department at the University of Southampton. Her research explores popular genres in US film and media; music in film and TV; feminisms and contemporary media culture; and stardom and the cultural politics of identity. She is particularly interested in the political value of popular culture and in the relationship between power, neoliberalism, and identity. She has published extensively on the Hollywood musical and gender representation, including articles in the European Journal of American Studies and the collections Musicals at the Margins (Bloomsbury, 2021), Working Women on Screen: Paid Labour and Fourth Wave Feminism (Palgrave Macmillan, 2024) and Border Masculinities (Palgrave Macmillan, 2024).

A

About Byron Wallen’s ‘Hurricane Bells’ 

“My piece is an exploration of the socio-political economic climate where their sound resonates.” Byron Wallen

Living at the intersection between jazz, contemporary art and politics, this extraordinary composition was created in response to contemporary artist Peter Shenai‘s work of the same name. 

Peter cast five bells using analyses of the structure of Hurricane Katrina – each one represented a 3D snapshot of the hurricane across its trajectory. Bell 1 was modelled on Katrina as it was far out in the Gulf of Mexico and Bell 5 modelled on the storm as it began to impact on land. Hung in a line and struck in order, these irregularly shaped, cyclonic bells produced a series of resonances descending in sequence, indicating the growing power of hurricane as it approached New Orleans. 

Listen to BBC Radio 4’s ‘Pursuit of Beauty’ featuring Peter Shenai talking about this project 

Gong instruments in general have this amazing political and communicative power."
Byron Wallen
A

Byron Wallen is one of the UKs most creative trumpeters and composers. Widely recognised as a seminal figure in world jazz, he travels the world recording, teaching and performing. In 2019, London based contemporary music outfit Filthy Lucre commissioned Byron to write music for eight8 musicians in response to Peter Shenai’s ‘Hurricane Bells’.  

Building on these unique sounds, reminiscent of Chinese bells and gongs, Wallen’s work reflects on the tragedy, taking in the culture of New Orleans and the climate crisis that threatens ever larger storms. 

A

“The reason Hurricane Katrina incurred such a huge loss of life and destruction was not because of the winds, but because of the subsequent flooding, due to insufficient levy infrastructure and the pathetic response of the US federal government.

Gong instruments in general have this amazing political and communicative power: they memorialise, they mark celebrations, they sound alarms, they call communities to gather around important issues. These bells based on the structure of Hurricane Katrina carry a powerful message and set of meanings with them. My piece is an exploration of the socio-political economic climate where their sound resonates.” Byron Wallen 

This original work for an eight8-piece band was set to premier in 2020 and was then rescheduled (due to COVID) for Shoreditch’s Rich Mix in February 2022. The iteration coming to Southampton this October is a quintet version.

Book your ticket for Byron Wallen: Hurricane Bells | When the Levees Broke on Saturday 17 October here

Our building is currently closed for Phase 1 building works. You can find out more about what’s going on over the summer here 

  • The Box Office phoneline is open on Tuesdays and Wednesdays, 1.30pm – 4.30pm, from Tuesday 30 June – Wednesday 9 September.
  • You can still email them at info@turnersims.co.uk or leave them a message on 023 8059 5151 and they will respond as soon as possible during their opening hours.
  • Tickets, memberships and gift vouchers are available for purchase online throughout this period.
  • The Box Office (and the building!) will reopen on Monday 14 September at 1.30pm, and will then revert to normal hours: 1.30pm – 4.30pm, Monday to Friday. For events and at weekends, the Box Office opens 2 hours before event start time until 15 minutes after event start time.
An Indian man in a blue tunic seated and playing the sarod

An interview with Soumik Datta

On Tuesday 3 November, renowned Bengali-born British Indian musician and composer, Soumik Datta begins his 'Melodies in Slow Motion' tour at Turner Sims. After the success of his 8-month tour of India last year, we're excited to welcome the immersive show where biological soundscapes, field recordings and new Indian music collide.

August 18, 2026

We caught up with Soumik to talk returning to tradition, discovering slow touring and The Waggle Dance of bee colonies. Learn more about his work, the skill and instruments of his band, and their recent experience of touring.

How did Melodies in Slow Motion come about and who was there with you to help bring this idea to fruition?

In 2025, I was in Mumbai on a British Council climate commission, working on the ecological crisis in a city that feels like solid concrete. And then, at a traffic light, chaos all around, horns, heat, noise, an orange butterfly landed on my shirt. In a city built to drown out anything small, this tiny creature found me, and stayed with me for the rest of the walk. It made me feel the scale of everything: how much life exists in the margins we’ve stopped noticing, the small ecosystems we’re still tied to even when we’ve forgotten them. That butterfly is where ‘Melodies in Slow Motion’ began.

The British Council commissioned the project, and we co-produced it with G5A Warehouse in Mumbai. The people who brought it to life are extraordinary: Sumesh Narayanan on mridangam, Sayee Rakshith on violin, Debjit Patitundi on tabla, and the brilliant field recordist and musician Rahul Nadkarni, who captured sounds most of us have never had the chance to hear.

F

How does the band’s specific combination of instruments fuse together to produce such an immersive experience?

The sarod sits at the heart of everything: 19 strings, with a resonance that can feel almost geological. Around it, the mridangam and tabla provide an intricate rhythmic pulse that mirrors the way the natural world operates: in patterns, in cycles, in rhythms that Indian classical percussion understands instinctively. The violin acts as a bridge between that classical framework and something more cinematic.

But what makes this band different from anything I’ve done before is the fourth layer: Rahul Nadkarni’s field recordings. He used specialist microphones to capture things you’d never normally hear: the inside of trees, under the mangroves, the dance of bees. Those recordings aren’t texture or decoration; they’re compositional. The natural world becomes another voice in the band, and through it we get to reveal some of nature’s most extraordinary secrets: the waggle dance as a language, the impossible lifespans of cicadas surviving underground for thirteen or seventeen years, the way a murmuration of birds moves as one mind. These are mysteries most audiences have never been invited inside before, and that’s exactly where this music takes them.

The natural world becomes another voice in the band, and through it we get to reveal some of nature's most extraordinary secrets..."

What was it like working with Rahul Nadkarni while curating this tour? Was integrating field recordings a new experience in your work as a musician?

Working with Rahul changed the way I think about what a musical instrument actually is. He goes to places most of us never think to listen to: underground, into ecosystems, into environments teeming with sound, and brings those sounds back with extraordinary care. He has a field recordist’s precision and a musician’s ear, and that combination is rare.

What drew me to working at this depth was a growing curiosity about the hidden languages of nature. The waggle dance: the way bees choreograph precise information for an entire colony is just one example of how much intelligence and communication exists in the world around us, completely beyond our normal perception. Rahul’s recordings open that world up. Integrating them at this level was new for me, and it fundamentally shifted how I think about composition. The natural world isn’t a backdrop to this music – it’s a co-author.

A

The performance spotlights Earth’s hidden rhythms and biological landscapes, do you have a favourite that we can look out for?

The waggle dance. Bees communicate through a remarkable figure-eight movement – scout bees return to the hive and perform a dance that tells the whole colony exactly where to find food, how far away it is, even what direction to fly. It’s a language. A choreography. When we started working on the music for it, we asked: what would that dance actually sound like inside the hive?

The rhythm is fast, almost trance-like, and the main melodic hook takes a while to emerge – deliberately, so the energy can build. When it finally arrives, it feels like an anthem. I find it genuinely moving that this hidden language has existed for millions of years, and most of us walk past it every day without knowing. You can hear Waggle Dance on all platforms now and watch us play live on Youtube.

 

A

You embarked on an 8-month tour of Melodies in Slow Motion in India, with a focus on intimate and meaningful spaces like schools and heritage sites. Did the band’s performance shift throughout this experience, and what will you be bringing along with you on this next leg of the tour?

Enormously. Alongside the larger concerts, I set out to explore what I’m now calling slow touring, spending real time in schools, community hubs, care centres, orphanages, and colleges, sharing the sarod in intimate settings where people could hear every detail. We’d sing together, play clapping rhythm games, just be in the music together.

This was partly inspired by the neuroscientist Daniel Levitin, who writes about music as one of humanity’s oldest tools for social bonding – something early human groups used to connect long before complex language existed. On big festival stages, there’s a distance between you and the audience. In those smaller spaces, that distance disappears entirely, and there’s a different kind of magic.

What I’m bringing to the UK is everything those eight months taught me – a show that’s been genuinely tested in the rooms that matter most. The community week across South West England, taking the music into mental health centres, and elderly care spaces like Bristol Folk House is as essential to me as the Kings Place shows. Music belongs in both places equally.

 

A

Listen to audience reaction after experiencing 'Melodies in Slow Motion'

What do you hope UK audiences will take away with them after experiencing Melodies in Slow Motion?

Between the four of us, we wanted to explore our roots in Indian classical music – the tradition that grounds all our training – but through the lens of the living world. We looked at rhythms in nature: fireflies synchronising their flashing, the ebb and flow of intertidal mangroves, the internal clocks that govern circadian rhythm. And this connects back to something the ancient Indian classical musicians already understood: that our mood and psychological states shift with the changing light of the day. By mapping frequencies and ragas to those changes, they weren’t just creating music – they were creating a sonic mirror for the human mind.

We’re returning to those roots. To a tradition where mind, body and environment are connected – to the natural world, and to the tiny creatures living all around us. I want people to feel that interconnection. I want them to feel the joy of standing inside a beehive, or in a field lit up with fireflies. Ultimately, I want them to feel less alone – to feel that we belong to a shared world, one that still needs looking after.

 

Don’t miss Soumik Datta | Melodies in Slow Motion at Turner Sims on Tuesday 3 November, 7.30pm

Book here

Our building is currently closed for Phase 1 building works. You can find out more about what’s going on over the summer here 

  • The Box Office phoneline is open on Tuesdays and Wednesdays, 1.30pm – 4.30pm, from Tuesday 30 June – Wednesday 9 September.
  • You can still email them at info@turnersims.co.uk or leave them a message on 023 8059 5151 and they will respond as soon as possible during their opening hours.
  • Tickets, memberships and gift vouchers are available for purchase online throughout this period.
  • The Box Office (and the building!) will reopen on Monday 14 September at 1.30pm, and will then revert to normal hours: 1.30pm – 4.30pm, Monday to Friday. For events and at weekends, the Box Office opens 2 hours before event start time until 15 minutes after event start time.
A packed audience on three sides watching a classical ensemble on stage under lights

Join Turner Sims’ Strategic Board — we want to hear from you

Turner Sims is looking for four new Strategic Board Members - and we want our Board to look like the communities we serve.

August 14, 2026

We’re the University of Southampton’s music venue and an Arts Council England National Portfolio Organisation. For over 50 years we’ve welcomed audiences to Highfield Campus for classical, jazz, world and folk music – and every year we reach 1,300 artists and performers, 50,000 audience members, and deliver over 140 concerts and events. Beyond the concert hall, our Engagement Programme reaches over 600 children and young people and thousands of family audiences each year. 

Now we’re looking for people from outside the University to help shape where we go next. 

Why now? 

We’re heading into an important few years: developing our next five-year business plan, delivering a major capital project to make our venue fully step-free and accessible by 2028, and taking Turner Sims on tour across the region while our building is closed for works. We need Board members who bring fresh thinking, industry expertise, and lived experience to help us get this right. 

Who we’re looking for 

We’re serious about building a Board that reflects Southampton’s communities. We’re particularly keen to hear from: 

  • People from culturally diverse backgrounds, including Black, Asian, Dual Heritage and other ethnic groups 
  • D/deaf and Disabled people 
  • Young people aged 18–35 with an interest in live music, arts and culture 
  • Anyone currently underrepresented in the arts and cultural sector 

We’re also looking for specific skills and experience, including commercial knowledge of cultural venues, artistic programming, marketing and audience insights, fundraising, and live music promotion in Southampton or the region. 

You don’t need previous board experience – we welcome first-timers as warmly as people with a track record in governance. 

What’s involved 

This is a voluntary role, but it’s not without support: we offer an honorarium for unsalaried or self-employed Board Members, and we reimburse travel expenses. The Board meets four times a year — mostly online, around 1.5 hours each — plus one in-person Away Day. Members also get complimentary tickets to Turner Sims events. 

In return, you’ll gain real experience of strategic thinking and arts leadership, grow your network, and play a genuine part in shaping Southampton’s cultural future. 

Find out more 

Not sure if it’s for you? Join one of our informal briefing sessions on Tuesday 1 September 2026 (12:00–12:45 or 18:00–18:45, via Teams) hosted by our Director and Board Co-Chair. Register by 5pm Thursday 27 August. 

To apply, send an expression of interest — a letter (max 2 pages) or a short video/audio file (max 5 minutes) — telling us why you’d like to join, what you’d bring, and a bit about yourself. Email: arts@soton.ac.uk (subject: ‘Strategic Board’) 

Deadline: midday, Wednesday 16 September 2026

Download the full recruitment pack here.  

Plain text version available here. 

To request alternative formats, please email arts@soton.ac.uk 

Our building is currently closed for Phase 1 building works. You can find out more about what’s going on over the summer here 

  • The Box Office phoneline is open on Tuesdays and Wednesdays, 1.30pm – 4.30pm, from Tuesday 30 June – Wednesday 9 September.
  • You can still email them at info@turnersims.co.uk or leave them a message on 023 8059 5151 and they will respond as soon as possible during their opening hours.
  • Tickets, memberships and gift vouchers are available for purchase online throughout this period.
  • The Box Office (and the building!) will reopen on Monday 14 September at 1.30pm, and will then revert to normal hours: 1.30pm – 4.30pm, Monday to Friday. For events and at weekends, the Box Office opens 2 hours before event start time until 15 minutes after event start time.
A man wearing a dark puffy jacket and dark trousers staring out across a calm sea to the horizon

The Ocean Remembers: A major art-science co-commission with the British Science Festival 2026

Turner Sims is proud to be a partner and co-commissioner of the British Science Festival, hosted by the University of Southampton in September 2026.

July 3, 2026

Through music, sound and scientific research, ‘The Ocean Remembers’ explores the evolving human and more-than-human life of this blue planet; moving across time, through the bodies of ocean dwellers, and bearing witness to our impact on marine life.

For the British Science Festival 2026, Turner Sims – the University of Southampton’s music venue – along with Southampton Marine & Maritime Institute (SMMI) and the British Science Festival have co-commissioned sound artist, composer and nature beatboxer Jason Singh to create a new work responding to four distinct areas of marine and maritime research.

From the lives of fish recorded within their otoliths – a stone in the inner ear (Trueman), the foraging habits of Fin whales (Mestre & Feakes), micro-plastics trapped in coral (Kleboe), to the maritime journeys of people in deep-time (Farr), the atmospheric piece responds to our relationship with ocean life, environmentalism, and our ancient ancestors’ quest to explore new oceans and lands.

Featuring electronic soundscapes, vocal textures, spoken word and live instruments, ‘The Ocean Remembers’ is a new composition created by Jason Singh in partnership with composer and trumpeter Yazz Ahmed. Ambient moods, crackly electronics, and melodies inspired by Ahmed’s Bahraini heritage, are interwoven with each researcher’s work. The work premiers at The British Science Festival Launch event, performed by Singh and Ahmed, alongside emerging musicians from the University’s Department of Music, student vocalists from Itchen College and MC Baby Panna.

A

Marine Remixed

Check out the next generation of electronic music producers. Young peoples’ music groups, Music Production Collective and Mix’zine, take the researchers’ ocean recordings and elements of Jason Singh’s ‘The Ocean Remembers’, remixing it for this special electronic music night. Expect live performances, the sharing of new tracks and MCing.

‘Marine Remixed’ is curated and promoted by the Turner Sims Assistant Producers – a group of young people developing skills in programming, producing and promotion and supported by Southampton & Isle of Wight Music (SIOW Music).

Turner Sims Engagement Programme: Jump in the Ocean

As part of Turner Sims Engagement Programme, we’re taking the researchers back to the classroom this summer, to share their marine and maritime research

Working with secondary pupils at four schools in Southampton and the Isle of Wight, the researchers will present their marine work alongside musician and workshop facilitator Fran Lobo, who will lead each class in a songwriting session.

Together these workshops will culminate in new musical compositions inspired by marine research and a new learning resource available for schools, supported by SIOW Music.

Participating pupils will attend an exclusive open dress rehearsal of ‘The Ocean Remembers’ at Turner Sims, part of the British Science Festival’s Schools and Colleges Programme.

Key Dates

  • ‘The Ocean Remembers’ (Premier Performance), British Science Festival Launch Event, Wednesday 16 September 2026, Turner Sims, 7pm – 8.15pm: Book your free ticket here
  • ‘Marine Remixed’, Friday 18 September 2026, Stage Door, 7.30pm – 9.30pm: Book your free ticket here
  • ‘The Ocean Remembers’(Performance), Saturday 19 September 2026, City Art Gallery, 3,30pm – 3.45pm: Book your free ticket here

About the British Science Festival 2026 

The British Science Festival (BSF) comes to Southampton this September, hosted by the University of Southampton, with over 100 free events, exhibitions and performances celebrating the people, stories and ideas at the heart of science. 

Find out more

 

‘The Ocean Remembers’ by Jason Singh and Yazz Ahmed is a co-commission by Turner Sims, Southampton Marine and Maritime Institute and the British Science Festival 2026, in partnership with Southampton and Isle of Wight Music and supported by the University of Southampton.  

The Ocean Remembers: Artists and Researchers 

Jason Singh is a multifaceted sound artist, nature beatboxer, producer, DJ, curator, facilitator, and performer. His life and work are deeply rooted in the art of listening. He embraces a multi-sensory and cross-species approach to sound and music, constantly exploring the relationships between humans, wildlife, and the environment through audio expression. 

Jason’s creative output is a rich exploration of the natural world, club culture, the human voice, public engagement and an extensive range of music technologies. His diverse body of work includes live performances, immersive sound installations, studio recordings, remixes, compositions for film and theatre, deep listening and well-being experiences, sound walks, radio broadcasts, music workshops, podcasts, curated playlists, and immersive DJ sets.  

 Yazz Ahmed is hailed as one of the most influential trumpet players of her generation. She is an award-winning composer who makes sweeping epics that are rich with storytelling, depicting evocative ancient worlds and mythological muses. 

Yazz has led her ensembles in performances across the UK & Europe, and further afield in Algeria, Bahrain, Beirut, Kuwait, Tunisia, Turkey, Ukraine, USA & Canada. She has also enchanted audiences at major festivals such as WOMAD, Love Supreme, NYC Winter Jazz Fest and Montreux Jazz Festival. 

Professor Clive Trueman is Professor of Marine Ecology at the University of Southampton. His research has moved between dinosaurs, archaeology and marine biology, always using the chemistry of animal tissues to reveal how animals and people interact with the environment. He studied Geology at Bristol, worked at the Smithsonian Institution and the Weizmann Institute of Science, then took up a lectureship in Portsmouth before moving to Southampton in 2007. 

Otoliths, or fish ‘ear stones’, help fish detect sound and act as natural recording devices. Cutting one reveals growth rings showing the fish’s age, growth, physiology and habitat, all hidden in its chemistry. Clive’s research reads these life stories in animal tissues, mostly fish, recovering growth, water temperature and energy use to explore how climate warming affects species like bluefin tuna, and how fish contribute to carbon burial in the deep ocean. He is drawn to the creative process of using science to gain new insights, and the common ground between science, music and art as ways of communicating ideas. 

Professor Helen Farr is a Maritime Archaeologist at Southampton’s Centre for Maritime Archaeology, with fieldwork spanning the Isle of Wight to Mauritius, the Mediterranean, Red Sea and Pacific. She has chaired the UNESCO Unitwin Network in Underwater Archaeology and is a keen sailor, commercial diver and Fellow of the Society of Antiquaries of London. 

Helen’s research centres on the origins of seafaring in deep time: a story of coastal resource use, exploration and migration through changing climates and seas, and of humanity’s long connection with the ocean. 

The work blends sea-level rise, palaeogeography, marine geophysics and modelling with archaeology and archaeogenetics to trace the voyages that carried people into new worlds. 

Seafaring history has deep roots, with evidence of hominins island-hopping on simple rafts a million years ago, and voyagers crossing open water to reach Australia by at least 65,000 years ago. As maritime skill and technology developed, more of the ocean was explored, reaching even the most isolated Pacific islands. These deep-time histories are interwoven with the heritage and identity of Indigenous coastal and island communities today, and with enduring themes of exploration, migration, climate change and what it means to be human on this blue planet. 

Doctor Julie Mestre is a postdoctoral researcher at the School of Ocean and Earth Science, University of Southampton, investigating the foraging and movement of marine megafauna such as whales, seals and turtles using tracking devices. Her work supports conservation amid a changing environment and increasing human activity. She is also a freelance underwater videographer and scientific scuba diver. 

Amy Feakes is a PhD student at the School of Ocean and Earth Science, University of Southampton, using passive acoustics, satellite tracking and mathematical modelling to study the abundance, distribution and behaviour of marine mammals. Her conservation background includes work with ZSL and sea turtles in Greece, Costa Rica and the Maldives. 

Julie and Amy both study fin whales in Antarctica using different, complementary methods. 

Julie’s research examines the overlap between whales and krill fisheries, using whale tracking data to map where and when whales and fishing vessels compete for krill, informing recommendations to fishing management authorities. 

Amy uses underwater microphones, or hydrophones, to record and analyse fin whale sounds, revealing more about their behaviour and distribution, as well as the wider Antarctic soundscape of icebergs, melting glaciers, ships and other marine mammals. 

Jacob ‘Jake’ Kleboe is a PhD researcher in Chemistry at the University of Southampton, specialising in marine biophotonics and environmental imaging. His interdisciplinary research combines optical physics, chemical imaging and marine science to study coral biomineralisation and microplastic pollution, using techniques such as Raman spectroscopy and CARS microscopy. He is also active in science communication and public outreach. 

Coral reefs are among the world’s most valuable ecosystems, supporting biodiversity, protecting coastlines and sustaining fisheries and tourism. Built by stony corals from calcium carbonate skeletons, they are increasingly threatened by rising temperatures, acidification, extreme weather and pollution. 

Among these threats, microplastic pollution is a major concern: the fate of most plastic entering marine environments remains poorly understood, with much of it potentially accumulating within ecosystems and organisms. 

Jake’s PhD develops advanced analytical chemistry and label-free imaging techniques, using Raman spectroscopy and multiphoton microscopy to study coral biomineralisation and coral–microplastic interactions. This work aims to improve understanding of coral growth, quantify microplastic accumulation, and explore whether coral skeletons could act as historical archives of marine plastic pollution.

Our building is currently closed for Phase 1 building works. You can find out more about what’s going on over the summer here 

  • The Box Office phoneline is open on Tuesdays and Wednesdays, 1.30pm – 4.30pm, from Tuesday 30 June – Wednesday 9 September.
  • You can still email them at info@turnersims.co.uk or leave them a message on 023 8059 5151 and they will respond as soon as possible during their opening hours.
  • Tickets, memberships and gift vouchers are available for purchase online throughout this period.
  • The Box Office (and the building!) will reopen on Monday 14 September at 1.30pm, and will then revert to normal hours: 1.30pm – 4.30pm, Monday to Friday. For events and at weekends, the Box Office opens 2 hours before event start time until 15 minutes after event start time.
A close up shot of a person pouring a bottle of beer into a pint glass

Taking steps towards a sustainable future

Our Front of House Manager, Maggie, tells us about choosing local produce and thinking sustainability while ensuring the best experience for our audiences.

June 19, 2026

‘In recent years, we have been on a quest to move away from the big, familiar brands found in supermarkets, chain pubs and restaurants to focus more on supporting small businesses around us in Hampshire and the Isle of Wight. In doing this, we hope to give our visitors a local flavour which is different to one they’d find elsewhere. 

We have real ale from Eastleigh and Droxford, cider from Alton, and spirits from Longparish, Upton Grey, Winchester and Ryde. We also sell ice cream from the New Forest and brew our coffee from beans roasted less than two miles away. 

Although we have not yet been able to source wine made in Hampshire, we do stock The Uncommon Bubbly Rosé from Kent. Not only does that give us carbon brownie points on the air mile front, but they come in cute little recyclable cans! They are also a certified B Corps company, which means that they are committed to a fairer and more sustainable way of doing business: another thing we look out for when choosing our Turner Sims’ suppliers.  

We take our responsibility to the planet and all its inhabitants very seriously. We are happy to be able to provide vegan chocolate, snacks, drinks and of course ice cream for those who want it. We also have a range of products for those with gluten intolerance.  

If you have any questions about our bar offer, please ask our bar staff who are always happy to help.’

Our building is currently closed for Phase 1 building works. You can find out more about what’s going on over the summer here 

  • The Box Office phoneline is open on Tuesdays and Wednesdays, 1.30pm – 4.30pm, from Tuesday 30 June – Wednesday 9 September.
  • You can still email them at info@turnersims.co.uk or leave them a message on 023 8059 5151 and they will respond as soon as possible during their opening hours.
  • Tickets, memberships and gift vouchers are available for purchase online throughout this period.
  • The Box Office (and the building!) will reopen on Monday 14 September at 1.30pm, and will then revert to normal hours: 1.30pm – 4.30pm, Monday to Friday. For events and at weekends, the Box Office opens 2 hours before event start time until 15 minutes after event start time.
A young band perform outdoors before a brightly coloured artwork. Two young people in blue Turner Sims tshirts watch

Free public art workshops this summer!

June 19, 2026

The University of Southampton, in partnership with UP Projects, John Hansard Gallery and Turner Sims, are developing a series of major public art commissions for Building 75, a cutting-edge new teaching and learning environment. Read more here

There are free opportunities to take part and contribute to the commissions by artists Katie Schwab and Rhona Byrne!

Campus Textures with Katie Schwab | Free Family Drop-In Day

A

Join artist Katie Schwab for a hands-on family activity exploring textures and mark making on campus.

Date: Tuesday 4 August 2026, 11am – 2pm
Location: SUSU, Building 42, Highfield Campus, University Road, SO17 1BJ
All ages welcome

  • Pick up free drawing packs and explore the campus through texture and mark making.
  • Collect rubbings from the outdoor landscape using crayons and paper
  • Discover the textures of the Highfield Campus
  • Contribute to a large collaborative floor drawing
  • Help inspire a new public artwork for the Building 75 development

 

Sign Up for your free place

Please sign up for a place here

Email info@upprojects.com with any questions about the drop-in day.

About Katie Schwab’s Play the Campus commission

Katie’s commission will invite playful movement through interactive artworks and site interventions. Inspired by architect Basil Spence’s textures and works by Tadek Beutlich in the University Art Collection, the project reimagines sports and game markings as lines across the new paving.

Welcome Voyage – 3 Day Workshop Series with Rhona Byrne

A

Join artist Rhona Byrne for a three-day exploratory voyage through Southampton’s maritime history, landscapes, and stories. This workshop series invites participants to explore journeys, materials, and port infrastructures of care and movement through drawing, walking, sailing and shared experiences across the city and port.

Dates: Thursday 16 July, Friday 17 July and Saturday 18 July, 10am – 1pm daily
Open to ages 18 and above
Various locations around Southampton

Advanced booking required. No previous experience necessary

Welcome Voyage Programme

Day 1 – Thursday 16 July

Meet at John Hansard Gallery, 142 Above Bar St, Southampton SO14 7DU. Learn about logbooks and sea journals; hear about the movement of materials in and out of Southampton port; take a walking tour of the old city and visit God’s House Tower.

Day 2 – Friday 17 July

Meet at the National Oceanographic Centre, European Way, Southampton SO14 3ZH. Participate in a port exploration and a three-hour research trip aboard the Callista Research Vessel.

Day 3 – Saturday 18 July

Meet at SeaCity Museum, Havelock Rd, Southampton SO14 7FY. Enjoy a tour of the museum and join a reflective workshop at John Hansard Gallery.

Sign up for your free place

Please sign up for a place here

Email info@upprojects.com with any questions about the Welcome Voyage.

About Rhona Byrne’s Welcome Voyage

The commission will feature two artworks marking key entrances to Building 75, exploring themes of arrival, belonging and welcome. Using ship cradle sculptures and hydrodynamic-inspired paving designs, the project reflects ideas of care, movement and hospitality.

Our building is currently closed for Phase 1 building works. You can find out more about what’s going on over the summer here 

  • The Box Office phoneline is open on Tuesdays and Wednesdays, 1.30pm – 4.30pm, from Tuesday 30 June – Wednesday 9 September.
  • You can still email them at info@turnersims.co.uk or leave them a message on 023 8059 5151 and they will respond as soon as possible during their opening hours.
  • Tickets, memberships and gift vouchers are available for purchase online throughout this period.
  • The Box Office (and the building!) will reopen on Monday 14 September at 1.30pm, and will then revert to normal hours: 1.30pm – 4.30pm, Monday to Friday. For events and at weekends, the Box Office opens 2 hours before event start time until 15 minutes after event start time.
A detail from a brightly coloured artwork

New public artworks to transform Highfield Campus

New public artworks by artists Rhona Byrne, Katie Schwab and Tania Kovats will transform the University of Southampton’s North East Quadrant (NEQ) development.

June 19, 2026

The University of Southampton, in partnership with UP Projects, John Hansard Gallery and Turner Sims, has announced a series of major public art commissions for the NEQ at Highfield Campus.

The development, known as Building 75, will provide a cutting-edge teaching and learning environment. These new artworks will embed art into everyday campus life, creating spaces for reflection, connection and exchange for students, staff and local communities.

The commissions are guided by ‘The Welcoming Campus: Art, People and Nature in Dialogue’, a public art strategy developed in 2024–25 through consultation led by artist Vanessa Rolf with university students, local residents and community groups, including Cantell School, Bassett Green Primary School and Swaythling Primary School.

Together, the artworks aim to welcome, challenge and connect people, encouraging dialogue between people, place and nature. They also build on the University’s long-standing relationship with sculpture, joining existing works by artists including Barbara Hepworth and Conrad Shawcross.

 

The commissions

A

Rhona Byrne (Dublin) creates socially engaged work exploring space, participation and belonging. The Welcoming Campus will include two artworks at key entrances to the NEQ, focusing on arrival, inclusion and welcome.

Katie Schwab (Glasgow) works with craft, learning and material culture. Play the Campus will introduce interactive artworks that encourage movement, play and participation across the site.

Tania Kovats (Devon) creates sculptural works exploring relationships with the natural world. Art + Nature will offer a sculptural response that brings together art, people and nature.

Across all three commissions, artists will collaborate with students, academics and local residents, supporting the vision of an inclusive and accessible campus.

 

NEQ Community Engagement: Textile banners by Vanessa Rolf with students from Bassett Green Primary School, Cantell School, and Swaythling Primary School, at the Turner Sims Summer Festival, 2025. Image © Nosa Malcolm

Our building is currently closed for Phase 1 building works. You can find out more about what’s going on over the summer here 

  • The Box Office phoneline is open on Tuesdays and Wednesdays, 1.30pm – 4.30pm, from Tuesday 30 June – Wednesday 9 September.
  • You can still email them at info@turnersims.co.uk or leave them a message on 023 8059 5151 and they will respond as soon as possible during their opening hours.
  • Tickets, memberships and gift vouchers are available for purchase online throughout this period.
  • The Box Office (and the building!) will reopen on Monday 14 September at 1.30pm, and will then revert to normal hours: 1.30pm – 4.30pm, Monday to Friday. For events and at weekends, the Box Office opens 2 hours before event start time until 15 minutes after event start time.
Two young guitarists performing on stage

Wrapping up another fantastic Summer Festival!

This year saw sold out shows, exciting new bands and heaps of family fun, in another sunny weekend packed with live music.

June 18, 2026

We’re still buzzing from this year’s annual Summer Festival (12 – 14 June). We welcomed over 2000 people, of all ages, for a joyful weekend of live music and family-friendly activities across the University of Southampton’s Highfield Campus.

We kicked off on Friday evening with an incredible performance from the Jess Gillam Trio – and a house so full, we’re not sure we could have squeezed even one more seat in! A vibrant, sunny Saturday afternoon followed with The Vibe Sessions. Curated by our Assistant Producers, it featured a rolling programme of folk, bluegrass, jazz and singer-songwriters, showcasing the considerable talents of young, emerging bands. Between sets, audiences could shop for vinyl with a stall from Boo Hoo Records or find their favourite new outfit out in the gardens with Skate Date Vintage and PrelovedReloved. The evening saw another packed house for the brilliant John Martyn Project – a perfect, harmony-filled close to day two.

Sunday’s Summer Family Day filled our building and gardens with babies and children – and their families – for a wonderful day of craft with our friends from the John Hansard Gallery, events and music-making workshops. From a light-filled, sensory show for our smallest audiences with Wonder Gigs, to laughter and fun on Young MacDonald‘s chaotic farm with David Gibb, to learning all about recycling with the cheeky Bin Rat, it was thrilling to see so many people of all ages enjoying the fun!

The festival closed with a performance from the Southampton University Symphony Orchestra, who presented a stunning programme of Bernstein, Liszt, Coates and the premiere of Tezni Williams’ ‘An Orchestras’ Journey’.

Everyone at Turner Sims extends a big thank you to our brilliant Assistant Producers, volunteer ushers, team and crew for making it all happen. If you were there, we hope you had a fantastic experience!

There’s so much more in store at Turner Sims this year. Check out our exciting new season of classical, jazz, film, folk, global and family events here

A
Jess Gillam Trio (© Nosa Malcolm)
A
Greyhound's Leap performing at The Vibe Sessions (© Nosa Malcolm)
A
Vintage clothes with Skate Date Vintage and PrelovedReloved and vinyl from Boo Hoo Records (© Nosa Malcolm)
Y
People relaxing in the gardens as Nico Sadivia and his band light up the foyer at The Vibe Sessions (© Nosa Malcolm)
A
Nico Saldivia and his band at The Vibe Sessions (© Nosa Malcolm)
A
Audience members and performers enjoy a performance from Coralie (© Nosa Malcolm)
A
Silvered close out The Vibe Sessions (© Nosa Malcolm)
P
Enjoying the sun (© Nosa Malcolm) The John Martyn Project play to a packed evening auditorium (© Polly Eldridge)
A
Family Day begins with Wonder Gigs - and glowing audience feedback! (© Maddie Risbridger)
T
Arts and crafts in the foyer with the John Hansard Gallery (© Maddie Risbridger)
T
David Gibb with Young MacDonald Wants a Farm & Bin Rat out in the gardens (© Maddie Risbridger)
A
A young audience member makes sure he knows What's On! And drumming workshops under the marquee (© Maddie Risbridger)
A
Bin Rat in the gardens (© Maddie Risbridger)

Our building is currently closed for Phase 1 building works. You can find out more about what’s going on over the summer here 

  • The Box Office phoneline is open on Tuesdays and Wednesdays, 1.30pm – 4.30pm, from Tuesday 30 June – Wednesday 9 September.
  • You can still email them at info@turnersims.co.uk or leave them a message on 023 8059 5151 and they will respond as soon as possible during their opening hours.
  • Tickets, memberships and gift vouchers are available for purchase online throughout this period.
  • The Box Office (and the building!) will reopen on Monday 14 September at 1.30pm, and will then revert to normal hours: 1.30pm – 4.30pm, Monday to Friday. For events and at weekends, the Box Office opens 2 hours before event start time until 15 minutes after event start time.
A girl sits behind a keyboard and sings into a microphone with an audience surrounding her.

Summer Festival is nearly here!

We catch up with our Programming Team ahead of Summer Festival 2026 and find out what they're really looking forward to...

June 2, 2026

From trailblazing saxophonist Jess Gillam to six-piece folk band The John Martyn Project, from emerging local bands to an evening with Southampton University Symphony Orchestra (SUSO), we are ready to light up your summer with a special weekend of incredible music from Friday 12 – Sunday 14 June. And don’t forget our brilliant Summer Family Day, packed with events, activities and crafts for audiences of all ages!

As festival time draws near, we talked to Head of Programming, Polly Eldridge and Head of Programming (Engagement & Participation), Jessica Santer.

Polly Eldridge:

“I’m really excited about the upcoming Summer Festival. This is our third year, and we love playing with the various spaces we have at Turner Sims.

This year we have handed over Saturday daytime to our Assistant Producers to create a festival vibe – pun intended! The Vibe Sessions sees seven up-and-coming bands perform in the main hall and foyer on a rolling programme over 6 hours, 1pm – 7pm. The doors will be open onto our beautiful garden, and for the £5 (advance) wrist band, folk are invited to move inside and out, and dip into whichever band takes their fancy.

We’re really thrilled that Skate Date Vintage and Preloved Reloved clothing will be there, and also Boo Hoo Records so people can browse between bands.

The artists were selected by our Assistant Producers from an open call to students across the University. The styles range from jazz and neo-soul through to folk rock – and brilliantly take us into the headline gig in the main hall that night, the super talented alt folk band, The John Martyn Project.”

The John Martyn Project: Saturday 13 June

A

'One Day Without You' - live at Bert Jansch Studio

Jessica Santer:

A

“Summer Family Day is always a highlight of our year at Turner Sims. We love to see our venue and the gardens buzzing with children and families having fun together. This year we are welcoming back David Gibb, always a favourite with our family audiences, for his show ‘Young McDonald Wants a Farm’. Expect catchy songs, farmyard animals, and a little bit of chaos when Young MacDonald is left in charge of the farm! Filskit Theatre will be performing at Turner Sims for the first time, with their performance for 0-5 year olds – ‘Wonder Gigs’. Parents, carers and little ones will enjoy this 45 minute show sat on stage with the musician. Enjoy well known pop, rock and folk tunes performed live, with props and puppets for the smallest audience members. Join us in the foyer for craft workshops with our friends from John Hansard Gallery and face painting.

The fun continues outside with ‘Bin Rat’, a puppetry show for all ages, and percussion workshops in the marquee with World Music Workshops.

Bring a picnic and stay all day to enjoy live performances, music making and crafts. We can’t wait to see you there!”

'Young MacDonald Wants a Farm' with David Gibb

A